Showing posts with label 1920s. Show all posts
Showing posts with label 1920s. Show all posts

Tuesday, March 20, 2018

Playing Catch Up - What's been happening

I'm finally sitting down to write real blog post. I have so much to share! I had not really realized how busy things have been until this week when I actually found myself with some much needed down time.

Most of January was spent finishing up some long neglected projects in the UFO pile, and I'm pleased to report I've made it through about half of the pile. The items that are left will need to be reevaluated so I can reside what's really worth finishing and what can be reused for other projects or just tossed. I'm at the point where I really want to clean and organize the sewing room and the UFO pile is a great place to start.

Here's a look at what I've finished!

Reproduction 1940s pinafores - Available here on Etsy

At the end of February I attended the Northeast Reenactors Fair and set up a booth for Emily's Vintage Visions along side Joani from A Timeless Collection. I had heard good things about the fair in the past but never had the change to go. This was a new experience for me as I've only done a handful of displays and vendor shows. Overall it was a successful weekend but I think I'll plan my set up a little differently next time. The Reenactors Fair was a great opportunity to meet and visit with people. One of the highlights was actually getting to do a live FB video at the end of Saturday with Joani, even if the video was sideways! Ooops!


Photo credit - A Timeless Collection

The first weekend of March was the GBVS's White Lightning Ball. Another fun event and one I look forward to each year. I was super excited (but also really nervous!) to debut the 1920s style head pieces I have been working on. They are made from vintage, and in some cases antique, trims and feathers in my stash. The two silver head pieces with the feather sold right away! I couldn't believe it!



Thanks to A Timeless Collection for this photo of hubby and I at the @Greater Boston Vintage Society's White Lightning Ball this past Saturday. He is wearing a 40s vintage sweater and pants fromOverAttired Vintage Fashion. My late 1920s/early 1930s dress is from @We, McGee Vintage

Over the last couple of weeks I picked up a sewing project I first started well over a year ago, a new 1770s gown!!! I can't begin to tell you how good it feels to dive head first back into historical sewing!! It's really my zen sewing, and yes, I'm doing all by hand. I'm using the Fashionable Gown pattern from Sign of the Golden Scissors. I've posted a few pictures on my Instagram account as well as on Facebook. There will be a proper blog post, or two, on the gown. So far I'v been good about taking construction pictures.


Sunday, December 17, 2017

December Vintage Style

Just a quick post today! I'm joining Flashback Summer's Vintage December Style challenge. Lots of us have been sharing our outfits on Instagram this month. If you want to join in or just follow along, be sure to check out the tag #decembervintagestyle.

#vintagedecemberstyle with Flashback Summer
I haven't done much sewing this year, so all but one of these outfits are from last year. Still, I'm hoping to go through the closet and see what I can come up with for some new festive attire.

First up is the 1920s silk velvet dress that I wore earlier this month for the GBVS Winter Formal. Ivory and gold makes a nice combination for the Christmas season. You can read more about this outfit in my last blog post.



This 1940s evening dress is one I made back in 2013 for the very first GBVS Winter Formal. It's made from a most obnoxious shade of mustard crepe using Simplicity 1469. The dress is trimmed with modern sequins and jet beaded trim from the Victorian era.

Read more about making this dress



Here is what I wore last year when I was trimming our Christmas tree. I love the versatility of pinafores! This particular pinafore also works great for a Memorial Day or Fourth of July outfit!



And last but not least, a little 1950s for you! I don't often wear 50s but once in awhile I come across a piece that I really love. This coat is one of those pieces. The princess cut is flattering and super fun to wear over fuller skirts and dresses. More photos of this outfit in this post.


Wednesday, December 13, 2017

1920s White Velvet and Gold Lace

Finally, a finished sewing project to share with you! I haven't done much sewing the fall, it's been hard to find the motivation but I am slowing getting back into things. The GBVS's Winter Formal at the Lyman Estate earlier in December was just the thing I needed and a great excuse to make a new 1920s dress.

I think I've mentioned before my love/hate relationship with the 1920s. Some of the styles are so gorgeous, particularly the evening dresses. I mean, what's not to love about those colors, bead work and beautiful fabrics? But, the fit of 1920s dresses can be so boxy looking and down right frumpy that I tend to lean more to other decades. Then I found THIS!

"Vionnet model in white velvet gown entirely untrimmed except for fine gold stitching at hips. At the back if falls in wing-like drapery. Drawing by Benito." The Art of Vogue. Covers 1909 - 1940 by William Packer
And THIS!! Both sketches are by Eduardo Garcia Benito, a fashion illustrator and painter who was well-known for his beautiful cover designs for Vogue Magazine during the 1920s and 1930s.

Fashion Illustrated A Review of Women's Dress 1920 1950 by Deborah Torrens
Ahhhh, a version of those sketches has been on my 1920s sewing wish list for such a long time. And I happened to have just the right fabric waiting in the stash. So yeah, sometimes things are meant to be.

However, I knew from the beginning that the back of the dress was going to be the most difficult part to create. I was having a hard time visualizing what shape the pieces for the back drape needed to be. Add this to the fact that my velvet fabric was left over from another project. I had just enough to cut the panels for the skirt and bodice front. The back pieces were constructed using some odd shapes of fabric. Not ideal, but the finished dress has the look and feel of the original Benito sketches so I'm pretty happy with it.

Image may contain: one or more people and people standing

I don't really have construction photos but here is the run down. The lining for the top was made using McCall 5632 (see the full version of that dress here) with the neckline altered slightly and the sleeves left off. The skirt is three panels of velvet (two for the back, cause left over fabric) and has 9 rows of gathering stitches, known as shirring, to pull the fabric in at the hips. The skirt lining was two smaller panels of silk slightly larger than my hip measurement.



The gold lace, which I believe is from the 1920s or early 1930s, is tacked to the silk lining. Creating the back drapes, though super fiddly, were actually quite fun to create. I got to apply some historical draping and fitting techniques that I don't normally get to do unless I'm making an 18th century gown. The bodice front was constructed first with the velvet mounted on top of the silk lining. I then pinned the shoulders and side seams to the bodice back lining.


With the bodice on my dress form, I basted the velvet fabric for the back drapes at the side seams of the lining and around the arms. Next I played around with the velvet trying different ways of pleating at the shoulders and waist, pinning and re-pinning, until I was happy with the look. As much as I loved the low open back of the Benito sketch, I knew that I would be more comfortable with a slight higher back. Plus I really wanted to work my vintage lace into this project. It was such a small piece but I really enjoy being able to incorporate vintage and antique notions into my sewing projects. (You may remember my 1940s evening dress trimmed with Victorian jet beading.)




And of course, not project is complete without kitty "help."


Cori wore his vintage tux. The jacket is actually dated December 1909! Doesn't he look dapper? His shirt, collar and matching peaked waistcoat and bow tie are all vintage as well.



About the Outfit
Dress: Made by me
Accessories: Pearls belonged to my grandmother, Art Deco pin and comb antique store finds
Stockings: WKD

Summary of the Project
Fabrics: Off white silk velvet from Delectable Mountain cloth, vintage silk for the lining and vintage gold lace
Pattern: The top portion of the dress is roughly based on McCall 5632 with the back draped. The skirt was just a large rectangle that was shirred at the sides to hip my hip measurement.
Year: 1920s
Notions: Thread and vintage gold lace.
How historically accurate it it? Pretty accurate. Material sare accurate for the time, pretty sure the lace is 1920s or early 1930s.
Any tricky parts to the pattern? Well.... Draping the back would have been waaaaay easier if I had more fabric to work with as mentioned above. Also, silk velvet is fussy to work with.
Did you change anything? I modified the neckline of the original pattern slightly for the bodice.
Time to complete? I don't know how many hours but I worked on this off and on for about a week and a half.
First worn: December 3rd, 2017 at the Greater Boston Vintage Society Winter Formal.
Total cost: The silk lining and lace trim are from the stash. The velvet was left over from another project. I think it was around $20 or $30 a yard and was 54" wide but it's been sitting in the stash for a could years and I can't really remember. I would guess around $60 to $75.
Notes: The fit is a bit wonky which isn't helped but the weight of the velvet. I think if I were to make this again I would take the shoulders up a bit more and maybe add a sash or side drape.

Tuesday, September 20, 2016

Roaring 20s Lawn Party - Pt 2, the Dress

I made my dress for the Roaring 20s Lawn Party from this 1930s pattern. Yes, I made and wore a 1930s dress for a 1920s event, I'm such as rebel! I love the 20s, I really do! But I'm not super excited about how I look in most 20s dresses. I'm short with wider hips and those boxy dropped waist styles just feel frumpy and odd to me. I just need to find the right dress/style to suit my body type.

1930s Simplicity sewing pattern

Anyway, after pulling out a few patterns and sketching a few different design ideas, I realized I just didn't want to make a 1920s dress. As I prepared for the Art Deco weekend earlier this spring it occurred to me that my vintage wardrobe was seriously lacking items from the 1930s. OK, I've made a few late 30s pieces but they have more of that 40s/WWII vibe to them. I didn't have anything that screamed 30s and was really wanted too change that.


Enter Simplicity 1945. This pattern was among the very first vintage patterns I purchased a few years back when I became interested in vintage sewing. It might have come from Ebay but I can't remember now.

1930s Simplicity sewing pattern

As the lawn party would be in August I knew it would be hot. Having something that would be light and comfortable to wear and move around it was key. I think it was the sleeves of this dress that really sold it for me. And this deco style cotton (from the stash, whoowhoo!) was perfect for it. I traded some of this fabric with another vintage blogger recently. Really excited to see what she creates with it!


The simplicity of this pattern (no pun intended!) surprised me too. I think one of the reasons I had not attempted this pattern before was believing it would be too complicated. Turns out, it was one of the easiest  vintage dresses I've sewn and it went together fast!

The bodice is constructed of a front and back piece, both cut on the fold. The sleeves are cut in one with the bodice with seams across the shoulders and at the sides. Before sewing these pieces together a series of 1/4" tucks are stitched across the front and back. The perforations of the pattern pieces were a little wonky so I remarked my fabric to avoid wonky pleats.




The skirt is pretty straight forward with small darts at the back. The waist seams of the bodice and skirt are lapped and then top stitched in place. The dress closes with a side placket and snaps.
I finally got to use one of the special attachments for my sewing machine. This foot creates a nice rolled hem which is how I finished the edges of the sleeves.



Since I had a bunch of metal grommets kicking around I opted to use those instead of sewing eyelets for the front lacing. I also only added about half the number because I didn't think I would like the dress as much if it laced all the way down the front. Lacking proper ribbon I used a piece of navy blue rayon bias tape.


I had planned on wearing my navy blue suede 1930s shoes with this but opted for a pair of modern sandals because the ground was still a little wet. The red celluloid buckle is from my stash.

Even though I was a vendor at the lawn party, Cori and I were able to escape for a little bit while some friends watched my booth. (Thanks again Heather and Devon!) The gardens at the Crane Estate were in full bloom and made a wonderful backdrop for some photos.



Some of you might recognize my hair flowers. They are the ones I friend Monica made me for my wedding. I had attempted to reblock a hat for the event but it didn't turn out very well so I opted for the hair flowers instead to tie the outfit together. Plus it was nice to wear something from my wedding again. :)



Outfit Details
Dress - Made by Me
Hair Flowers - Made for my wedding by my friend Monica
Shoes - Thrifted

Pattern - Simplicity 1945
First Worn - July 31st
Complicated parts - Just marking sure the tucks on the bodice were straight and neat. The pattern perforations were a little off so I had to remark them.
Changes - I only needed to allow a little more room in the hips and shorten the skirt a few inches.
Cost - I don't remember what I paid for the pattern but I don't think it was more than $15 with shipping. Fabric and notions were all from the stash and the fabric was purchased on sale. I would estimate the total cost to be around $25 to $30.

Sunday, September 18, 2016

Roaring 20s Lawn Party - Pt 1

Another overdue post! I had such a wonderful time the GBVS's Roaring 20s Lawn Party back in July. This was the fourth year of the event. The weather looked rather uncertain in the days leading up to it but this year the organizers made the choice to hold it rain or shine. In the past there has been a rain date. Indeed the morning we drove to Ipswich it poured almost the whole drive there!

Fortunately the rain let up in time. This year there was a big tent set up over the dance floor and stage for the band. As a vendor I also had the good luck of being able to set up under an enormous tent that had been used for a wedding the day before. Complete with chandeliers!


I'll admit, it was a lot of work preparing for this but it was worth it. It's so great to be able to meet people and discuss things in person. I was able to catch up with friends and meet a few people who have been following my blog which is always a treat. This was my first big event as a vendor and I still have much to learn but it's a fun process. I would like to set things up a little differently if/when I do this again but overall I'm pretty happy with how things worked out.



I'm going to write up a separate post on the dress I made for this event so stay tuned for that in a day or two.


Sunday, September 4, 2016

GBVS's Art Deco Weekend

Today I'm doing some major catching with my blog. So much has happened this summer and I just have not found the time to sit down and right. Now that things have relaxed a bit I am able to do just that. Today's post will take you back to May, specifically Memorial Day weekend to when Cori and I attended the Greater Boston Vintage Society's amazing Art Deco Weekend.

Group Photo. Check out all the great photos from the weekend by Vintage Girl Studios

We traveled to Newport RI and spend a few days with our GBVS friends at the Fairlawn Estate. It's now part of the college campus and while a good portion of the building is used as a dormitory, most of it remains as it did in the Guilded Age. I didn't really take many photos during the weekend, and very few inside which is a shame. The main ballroom is just beautiful and the mirrored walls remind me of the grand ball rooms of the 18th century.

Friday evening walk down mansion row. This this the Breakers
We arrived Friday evening to settle in and took a short walk around the neighborhood. The walking trail follows the coast line and offers spectacular views of the ocean as well as some of the mansions.
Saturday morning after breakfast we listened to two lectures on men's and women's fashions. Both talks can be found on YouTube here and here.


There were several dance lessons during the day as well. A good portion of the day was spent outside where we enjoyed a picnic lunch and lawn games. Yes it's possible to play a good game of badminton in heels and stockings, though I don't really recommend it. It was a great time to catch up with friends and make some new ones. We also took part is a short silent film by Vintage Girl Studios!

To make up for not having a proper Sunday Shoe Spectacle post today, here are a few shoe pictures from the Art Deco Weekend. My navy blue suede 1930s heels came from Lauren of Wearing History. Cori scored his amazing pair of brown and white 1930s shoes at an antique mall for $8.00!!! Crazy!! It just proves you never know what you are going to find.




I wore the blue linen skirt made last year from Du Barry 5296. I added straps that attach to the inside of the waistband with snaps. I really like how this turned out and give me more options for styling the skirt. Sadly I didn't have enough linen left to make a matching bolero but that's alright. The blouse I'm wearing is made from my favorite pattern, Du Barry 5172. I really love the print! It's a reproduction cotton print from the 1930s. I actually have another blouse made from the same fabric but different pattern for sale in my etsy shop.

I tied something a little different with my hair this time around. A hairnet!! I wanted to have some curl left at the end of the day for the black tie ball, so after taking my pin curls out in the morning I loosely pinned my hair up at the back of my head and added the net to keep everything neat. I do have a couple vintage hairnets but I was able to find a package of modern ones for a few dollars my Rita Aid store. I like these because they have a tiny band of elastic to help keep them in place. The elastic doesn't really show but I decided to tie a piece of yellow ribbon around my head anyway just to cover it up. It's a very youthful look but I kind of like it.

Saturday evening everyone changed into their formal attire for the black tie ball. Cori wore his vintage tux and I wore a black crape dress I found on ebay for a song. The belt came with an odd looking buckle so I swapped it for one I had in my buckle stash. Most of the picture I have from Saturday night and not very good unfortunately. However, if you watch Michelle of MyVintageLove's video of the event you will see a quick shot of Cori and I! I will share this one though, of Michelle and I. Her gown was really stunning.


Sunday we packed up our belongs and toured the Breakers mansion. I already blogged about that day and the outfit I wore which you can read about here if you missed it.

I believe there are plans to hold another event like this next year so be search to watch the GBVS website for details! I can't wait! There are lots more photo from the weekend on the GBVS's FB page. In addition to Michelle's video I recommend this one by my friend Neal Howland.

Outfit Details
Blouse and Skirt - Made by me
Shoes - Wearing History
Pin - Thrifted
Black evening dress - Ebay
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